By: Qhawekazi Memani – 10 May  2024

The Sharpeville Exhibition Centre served as a hallowed ground for reflection and remembrance on 27 April 2024, as the Aging Voices Exhibition Panel Discussion convened. This event marked a significant chapter in a narrative that began on 17 March, when the exhibition doors first opened to the public.

Spearheaded by the Sharpeville Foundation, Nicho Ntema Unlimited Pty Ltd, Len Khumalo Foundation, and in collaboration with the Vaal University of Technology (VUT), the exhibition aimed to illuminate the multifaceted layers of history, particularly centred around the tragic events of the Sharpeville Massacre in 1960.

The overarching theme of ‘Aging Voices’ not only nodded to the chronological age of the individuals involved but also echoed the passage of time from the 1960s to the turbulent decades that followed in South Africa. Central to the exhibition were the poignant photographs captured by veteran South African photojournalist, Ntate Len Khumalo, which vividly depicted the struggles and triumphs of that era. Complementing these visuals were the scholarly insights of Professors Nancy Clark and William Worger from the University of California, Los Angeles, whose meticulous research provided a deeper understanding of the historical context surrounding the Sharpeville Massacre.

One of the exhibition’s most compelling revelations was the unveiling of new evidence from the National Archives, challenging the official narrative of casualties from the Sharpeville Massacre. The discrepancy between the previously reported figures and the actual toll on human lives highlighted the importance of historical accuracy and the ongoing quest for truth and reconciliation in post-apartheid South Africa.

The exhibition’s resonance extended far beyond its physical confines, drawing a diverse audience that included representatives from the Ahmed Kathrada Foundation, members of various political parties, and officials from the national government. Their collective presence on Human Rights Day lent credence to the exhibition’s significance as a cultural touchstone and a catalyst for dialogue on issues of social justice.

The pinnacle of recognition came with the visit of President Ramaphosa on the 21st of March, affirming the exhibition’s universal appeal and its ability to bridge divides and foster empathy across diverse communities. Equally notable was the engagement of Israeli students, whose appreciation for the power of photojournalism underscored the exhibition’s global resonance.

One participant commented: “Indeed, the Sharpeville Exhibition stands as a testament to the enduring power of the lens and the pivotal role played by journalists and photojournalists in preserving and disseminating historical narratives. From school pupils to local residents – from university students to international visitors, the exhibition captivated hearts and minds, serving as a poignant reminder of the importance of remembering the past to inform the present and shape the future.”

In closing, Ms Nkuli Khumalo a VUT senior lecturer and independent curator, extended her deepest gratitude to the Sedibeng District Municipality for their gracious hospitality and unwavering support, as well as to all stakeholders and contributors who helped make the exhibition a resounding success. “Together, we have created a space where art transcends boundaries, sparking dialogue, fostering empathy, and inspiring collective action towards a more just and compassionate society. As the echoes of Aging Voices reverberate through the corridors of history, may we continue to heed their call for remembrance, reflection, and renewal,” she said.